{"id":7588,"date":"2024-03-22T08:19:40","date_gmt":"2024-03-22T07:19:40","guid":{"rendered":"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france-2\/"},"modified":"2024-03-22T08:19:56","modified_gmt":"2024-03-22T07:19:56","slug":"madonna-il-de-france-2","status":"publish","type":"post","link":"https:\/\/www.kolhammer-mahringer.at\/fr\/madonna-il-de-france-2\/","title":{"rendered":"MADONNA \u00cel DE FRANCE"},"content":{"rendered":"<div class=\"pgc-sgb-cb wp-block-pgcsimplygalleryblock-justified \" data-gallery-id=\"52404017\"><div class=\"sgb-preloader\" id=\"pr_52404017\">\n\t<div class=\"sgb-square\" style=\"background:#d4d4d4\"><\/div>\n\t<div class=\"sgb-square\" style=\"background:#d4d4d4\"><\/div>\n\t<div class=\"sgb-square\" style=\"background:#d4d4d4\"><\/div>\n\t<div class=\"sgb-square\" style=\"background:#d4d4d4\"><\/div><\/div><div class=\"simply-gallery-amp pgc_sgb_slider \" style=\"display: none;\"><div class=\"sgb-gallery\"><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_1_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_1_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_1_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_1_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_2_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_2_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_2_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_2_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_3_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_3_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_3_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_3_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_close2_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"241\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_close2_master-300x241.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_close2_master-300x241.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_close2_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_close1_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"234\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_close1_master-300x234.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_close1_master-300x234.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_close1_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_9_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_9_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_9_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_9_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_8_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_8_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_8_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_8_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_7_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_7_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_7_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_7_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_6_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_6_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_6_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_6_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_5_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_5_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_5_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_5_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><div class=\"sgb-item\"><a href=\"https:\/\/www.kolhammer-mahringer.at\/madonna-il-de-france\/madonna_holz_4_master\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"300\" height=\"257\" loading=\"lazy\" src=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_4_master-300x257.jpg\" srcset=\"https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_4_master-300x257.jpg 300w,https:\/\/www.kolhammer-mahringer.at\/wp-content\/uploads\/2024\/03\/Madonna_Holz_4_master.jpg 768w\" sizes=\"auto, 250px\"\/><\/a><div class=\"sgb-item-caption\"><em>Madonna il de France<\/em><\/div><\/div><\/div><\/div><script type=\"application\/json\" 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&& window.PGC_SGB.searcher){window.PGC_SGB.searcher.initBlocks()}})()<\/script><\/div>\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p>Cette sculpture de la Vierge, magistralement ex\u00e9cut\u00e9e et tr\u00e8s bien conserv\u00e9e, provient de la  <br\/>\u00cele-de-France et a vu le jour vers 1270. Elle est sculpt\u00e9e dans du bois de ch\u00eane et mesure 78 cm de haut. La figure est creus\u00e9e \u00e0 l&rsquo;arri\u00e8re en forme droite, un indice marquant pour la datation pr\u00e9coce de la p\u00e9riode 1260-80.  <br\/><br\/>Marie se tient debout, en position avanc\u00e9e, sur une surface d&rsquo;appui massive, le genou droit, l\u00e9g\u00e8rement pli\u00e9 en tant que jambe de jeu, \u00e9tant visible sous le manteau. Le drap\u00e9 diagonal souligne la hauteur \u00e9lanc\u00e9e de la Vierge allong\u00e9e, qui tient son enfant contre elle avec son bras gauche. L&rsquo;enfant J\u00e9sus, typiquement v\u00eatu pour les figures du 13e si\u00e8cle, est tourn\u00e9 vers sa m\u00e8re avec audace et l\u00e8ve les yeux vers elle, les regards de la m\u00e8re et de l&rsquo;enfant se rencontrant dans un \u00e9change silencieux et intime. Les caract\u00e9ristiques particuli\u00e8rement m\u00e9morables de la physionomie sont les yeux allong\u00e9s en forme d&rsquo;amande, les cr\u00eates tranchantes des sourcils qui se fondent sans transition dans l&rsquo;ar\u00eate droite du nez et la bouche d\u00e9form\u00e9e en un l\u00e9ger sourire, avec de profondes fossettes au-dessus d&rsquo;un menton \u00e9troit en forme de V. Un moment d&rsquo;intimit\u00e9 entre la m\u00e8re et l&rsquo;enfant est repr\u00e9sent\u00e9 : Marie tient le pied nu de son fils avec sa main droite. En m\u00eame temps, l&rsquo;enfant J\u00e9sus pr\u00e9sente la plante nue de son pied droit. Cela montre non seulement la relation profonde entre Marie et J\u00e9sus, mais c&rsquo;est aussi une r\u00e9f\u00e9rence au c\u00f4t\u00e9 humain du Christ. Ce geste peut sans doute symboliser, dans une interpr\u00e9tation th\u00e9ologique, l&rsquo;incarnation du Christ.<\/p>\n\n<p>Le type de cette figure de madone est issu \u00e0 l&rsquo;origine de la sculpture monumentale fran\u00e7aise du milieu du 13e si\u00e8cle. On peut comparer la physionomie du visage et le traitement de la draperie des sculptures de la fa\u00e7ade ouest de la cath\u00e9drale de Reims ou encore la Vierge du portail nord de Notre Dame de Paris.<\/p>\n\n<p>La finesse de la sculpture de notre Vierge est comparable \u00e0 celle de la Vierge d&rsquo;Abbeville du Louvre, qui date elle aussi de 1270 et est \u00e9galement sculpt\u00e9e dans du bois de ch\u00eane. Leur origine est toutefois localis\u00e9e dans la province de Picardie, plus au nord (RF 1449). Les caract\u00e9ristiques stylistiques frappantes des deux personnages sont le v\u00eatement ajust\u00e9 sur le torse, le drap\u00e9 p\u00e2teux, les plis en cuvette retombant en diagonale en volumineux bouquets de plis et les ourlets de la robe reposant \u00e0 plat sur le sol. De m\u00eame, le drap\u00e9 pliss\u00e9 sur la t\u00eate de Marie et les cheveux principaux finement travaill\u00e9s sont des caract\u00e9ristiques \u00e9videntes de cette \u00e9poque et t\u00e9moignent de la qualit\u00e9 sup\u00e9rieure ainsi que du grand talent du ma\u00eetre sculpteur qui les a r\u00e9alis\u00e9s. La posture dynamique et courb\u00e9e de Marie et le croisement ludique des jambes de l&rsquo;enfant J\u00e9sus rel\u00e8vent \u00e9galement du m\u00eame type. Toutefois, dans la sculpture Il-de-France, la finesse et l&rsquo;intimit\u00e9 de l&rsquo;ex\u00e9cution se focalisent sur un autre aspect, \u00e0 savoir la douce attention de la m\u00e8re et de l&rsquo;enfant, dont les visages sont reli\u00e9s par un axe visuel droit.<\/p>\n\n<p><br\/>Une figure sculpt\u00e9e en bois avec une attitude tr\u00e8s proche et un drap\u00e9 similaire, attribu\u00e9e \u00e0 la r\u00e9gion parisienne vers 1270, se trouve aujourd&rsquo;hui au Palais des Beaux-Arts de Lille, mais dans un \u00e9tat de conservation bien moins bon ainsi que dans une attitude typologiquement diff\u00e9rente et distante de Marie et du petit J\u00e9sus.<\/p>\n\n<p>Un exemple pr\u00e9coce de comparaison en petite sculpture est en ivoire, la Vierge de Dormeuil, haute de 30 cm, vendue chez Sotheby&rsquo;s en 2007 pour 1 488 250 \u20ac. a \u00e9t\u00e9 vendu. L&rsquo;attention tendre entre la m\u00e8re et l&rsquo;enfant est accentu\u00e9e par la posture du personnage, les plis stylis\u00e9s et parall\u00e8les du bol suivant la courbure de la d\u00e9fense, ce qui conf\u00e8re \u00e0 la figure une \u00e9l\u00e9gance gracieuse. Le drap\u00e9 souligne la jambe de Marie ainsi que la hauteur de la figure.<\/p>\n\n<p>En 2010, Christie&rsquo;s a vendu une figurine parisienne similaire en ivoire, dat\u00e9e entre 1250 et 1280, avec un voile court comparable, une jambe expos\u00e9e par des plis en cuvette, une bordure en diagonale et une attitude d&rsquo;enfant intimement tourn\u00e9 vers l&rsquo;ext\u00e9rieur.  <\/p>\n\n<p>La Vierge en ivoire finement ex\u00e9cut\u00e9e de la Sainte-Chapelle, aujourd&rsquo;hui au Louvre (OA 57), dat\u00e9e entre 1260 et 1270, pr\u00e9sente de fortes similitudes stylistiques et typologiques avec notre sculpture, tant dans les plis du voile court, les trois plis en cuvette tr\u00e8s ajust\u00e9s avec des ar\u00eates de plis tr\u00e8s renfl\u00e9es autour de la hanche de Marie, que dans la draperie pos\u00e9e sur le socle de mani\u00e8re p\u00e2teuse.<\/p>\n\n<p>Notre Madone pr\u00e9sente d&rsquo;autres similitudes frappantes avec une figure en ivoire sculpt\u00e9e vers 1260-70 \u00e0 Paris et conserv\u00e9e au Metropolitan Museum of Art (17.190.175). Malgr\u00e9 les diff\u00e9rences de mat\u00e9riaux, l&rsquo;ex\u00e9cution du drap\u00e9, de la chevelure, du type de visage en V et de la position face \u00e0 face entre Marie et l&rsquo;enfant est ici aussi extr\u00eamement similaire. Alors que l&rsquo;enfant en ivoire a tendu la main gauche vers le menton de sa m\u00e8re, \u00e9tablissant ainsi un contact avec elle, notre \u0153uvre pr\u00e9sent\u00e9e ici montre une relation encore plus intime entre la m\u00e8re et l&rsquo;enfant.<\/p>\n\n<p><strong>Bibliographie<\/strong><\/p>\n\n<p>P. Barnet, Images en ivoire, Objets pr\u00e9cieux de l&rsquo;\u00e2ge gothique, cat. exp. Institut des Arts de Detroit, Princeton University Press, 1997.<\/p>\n\n<p>Exposition d&rsquo;objets d&rsquo;art du Moyen Age et de la Renaissance organis\u00e9e par la marquise de Ganay chez Jacques Seligman, H\u00f4tel de Sagan, Paris, 1913.<\/p>\n\n<p>D. Gaborit-Chopin, \u00ab\u00a0La Vierge \u00e0 l&rsquo;Enfant d&rsquo;ivoire de la Sainte-Chapelle\u00a0\u00bb, La Sainte-Chapelle. L&rsquo;art au temps de saint Louis, Dijon, Dossiers d&rsquo;arch\u00e9ologie n. 264, 2001.<\/p>\n\n<p>D. Gaborit-Chopin et al., \u00ab\u00a0Ivoires M\u00e9di\u00e9vaux Ve-XVe si\u00e8cle\u00a0\u00bb, Catalogue du mus\u00e9e du Louvre, Paris 2003.<\/p>\n\n<p>S. Gu\u00e9rin, \u00ab\u00a0Synergy across Media. Gothic sculptors in Wood and Ivory\u00a0\u00bb, G. Davies &#8211; E. Townsend (\u00e9d.), A reservoir of Ideas. Essays in honour of Paul Williamson, Londres, Paul Holberton Publishing, 2017, p. 124-136.<\/p>\n\n<p>R. Koechlin, Les ivoires gothiques fran\u00e7ais, Paris, 1924, vol. I &amp; II.<\/p>\n\n<p>J. Natanson, Gothic ivories of the 13th and 14th centuries, Londres, Alec Tiranti, 1951, n. 24.<\/p>\n\n<p>W. Sauerl\u00e4nder, Willibald, La Sculpture gothique en France, 1140-1270, Paris, Flammarion, 1972.<\/p>\n\n<p>R. Suckale, Studien zu Stilbildung und Stilwandel der Madonnenstatuen der Ile-de-France zwischen 1230-1300, th\u00e8se de doctorat, Munich, 1971.<\/p>\n\n<p>P. Williamson, The Wyvern Collection. Medieval and Later Ivory Carvings and SmallSculpture, Londres, Thames &amp; Hudson, 2019.<\/p>\n\n<p>P. Williamson &#8211; G. Davies, Medieval Ivory Carvings, I-II, 1200-1550 Part I et II, Londres, V&amp;A Publishing, 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\nMadonna \u00cel de France\/Paris<br \/>\nVers 1270<\/p>\n<p>Bois de ch\u00eane sculpt\u00e9<br \/>\nhauteur 78 cm<\/p>\n","protected":false},"author":4,"featured_media":7533,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[28],"tags":[],"class_list":["post-7588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sculptures"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>MADONNA \u00cel DE FRANCE - Kolhammer &amp; Mahringer Fine Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kolhammer-mahringer.at\/fr\/madonna-il-de-france-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MADONNA \u00cel DE FRANCE - Kolhammer &amp; 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